I’m very interested to receive constructive criticism on my analysis, and to hear others' intuitions about the piece. 20 and 22Ī few words about 2: I considered analyzing that section in Db+, but I don’t feel like the cadence to Db feels like I, and I think the following tonicization of F feels more like vi of Ab than iii of Db. D A G A7 Think of me, think of me fondly when we've said good-bye D A G A7 Remember me once in a while, please, promise me you'll try Bm F7 Bm7 E7 When you find that once again you long, to take your heart back and be free D Bm7 Em F7 G A D If you ever find a moment, spare a thought for me.

24-27 as opposed to Db+Īlso I wonder if it would be better to use bVII than IV/IV in mm.

The classification of the Amaj chord in m. I would like feedback on a few aspects of the analysis: I wanted to look at this section because it seems to use interesting key/chord relationships, and I wanted to explicate some of my musical intuitions about the functions of chords. Here's the audio for the section: 1m30s - 2m15s Here's my analysis of the bridge in Andrew Lloyd Webber's 'Music of the Night' mm.

Think of me phantom of the opera chords